Glenn Miller In The Mood Sheet Music Free Download

This article is about the big band-era song popularized by Glenn Miller. For other uses, see. 'In the Mood' by 'I Want to Be Happy' Released September 1939 Format Recorded 1 August 1939, (c), (w), (a) 'In the Mood' by 'Christopher Columbus' Released October 1959 Format Length 2: 29 (c), (w), (a) singles chronology ' In the Mood' (1959) 'Begin the Beguine' (1960) ' In the Mood' (1959) 'Begin the Beguine' (1960) ' In the Mood' is a popular -era #1 hit recorded by American bandleader. It topped the charts for 13 straight weeks in 1940 in the U.S. And one year later was featured in the movie. The first recording of 'In the Mood' was released by and his Orchestra in 1938 (see 'Origins' below).

1. Glenn Miller In The Mood Sheet Music Free Download

In 1983, the Glenn Miller recording from 1939 was inducted into the. In 1999, (NPR) included the 1939 Glenn Miller recording on RCA Bluebird on the NPR 100, the list of 'The 100 most important American musical works of the 20th century'. In 2004, the 1939 Glenn Miller recording on RCA Victor was inducted into the Library of Congress National Recording Registry which consists of recordings that are 'culturally, historically, or aesthetically significant.'

Contents. Composition 'In the Mood' opens with a now-famous sax section theme based on repeated that are rhythmically displaced; trumpets and trombones add accent riffs. The arrangement has two solo sections; a ' or chase solo—in the most famous recording, between and —and a 16-bar trumpet solo. The arrangement is also famous for its ending: a coda that climbs triumphantly, then sounds a simple sustained unison tonic pitch with a. The final recording consisted of musical contributions by Joe Garland, Glenn Miller, Eddie Durham, and Chummy MacGregor in what can be termed a '. Origins 'In the Mood' was an arrangement by based on a pre-existing melody. Lyrics were added.

The main theme, featuring repeated rhythmically displaced, previously appeared under the title of ' credited to jazz trumpeter and bandleader. Manone recorded 'Tar Paper Stomp' on August 28, 1930 in Richmond, Indiana and released it as a 78 single on as by Barbecue Joe and his Hot Dogs, re-released in 1935 as by Wingy Manone's Orchestra. The recording was re-released in 1937 as a Decca 78 single as by Wingy Manone and his Orchestra. Used the same riff in 'Hot and Anxious', recorded by his brother's band, and his Orchestra, on March 19, 1931, which was released on as by the Baltimore Bell Boys. Recorded 'Hot and Anxious' in 1932 on.

Under copyright laws, a tune that had not been written down and registered with the copyright office could be appropriated by any musician with a good ear. Wingy Manone had brought up the issue of the similarity between 'Tar Paper Stomp' and 'In the Mood' to Joe Garland and to the publishing company of the song, Shapiro, Bernstein, and Company of New York. Manone also discussed the issue in Down Beat magazine. 'Tar Paper Stomp' was copyrighted on November 6, 1941 as a pianoforte version by Peer International.

The first recording of Joe Garland's version of 'In the Mood' was made by and his Orchestra in 1938, with Garland participating, released as a B side to their recording of ' on Decca Records. In this recording there was a baritone sax duet rather than a tenor sax battle. The riff had appeared in a 1935 recording by the Mills Blue Rhythm Band entitled 'There's Rhythm In Harlem' released on Columbia Records which had been composed and arranged by Garland.

Before offering it to Glenn Miller, Garland sold the tune to Artie Shaw in 1938, who chose not to record it because the original arrangement was too long. However, he did perform it in concert. The initial Artie Shaw performance was over six minutes in length with a lackluster audience response. The arranger of the Shaw version was, who would join the Glenn Miller Orchestra in 1940. The band subsequently performed a shorter version. The Hayes recording was over three minutes in length to fit on one side of a 78 record. Released a song entitled 'Hot String Beans' on Vocalion in 1938 that also featured the riff from 'Tar Paper Stomp'.

Wingy Manone recorded a new song entitled 'Jumpy Nerves' on April 26, 1939 that incorporated the riff from “Tar Paper Stomp” which was released as a 78 single that year on RCA Bluebird. The tune was finally sold in 1939 to Glenn Miller, who played around with its arrangement for a while.

Although the arrangers of most of the Miller tunes are known, things are a bit uncertain for 'In the Mood'. It is often thought that Eddie Durham (who contributed other arrangements on the recording date of 'In the Mood', August 1, 1939 as well), John Chalmers, (the pianist, composer, and arranger in the Glenn Miller Orchestra) and Miller himself contributed most to the final version. According to the account by MacGregor, 'all they used of the original arrangement were the two front saxophone strains and another part that occurred later on in the arrangement.' Both MacGregor and Miller were involved in creating the final arrangement: 'MacGregor mentioned that additional solos were added to the original arrangement and he wrote the finishing coda. Miller probably edited some of the arrangement along with MacGregor.' Two editions of the sheet music are in common circulation.

The 1939 publication, credited to Garland and Razaf, is in A♭ and has lyrics beginning, 'Mister What-cha-call-em, what-cha doin' tonight?' The 1960 reprint, credited only to Garland (with piano arrangement by ), is in G and has lyrics beginning, 'Who's the livin' dolly with the beautiful eyes?' Personnel The personnel on the landmark August 1, 1939 session at RCA studios in New York were: Glenn Miller, Al Mastren, and Paul Tanner, trombones;, Lee Knowles, and Dale McMickle, trumpets;, clarinet; Hal McIntyre, alto sax;, and Harold Tennyson, tenor saxes;, piano; Richard Fisher, guitar; Rowland Bundock, string bass; and, drums. Reception Glenn Miller's 'In the Mood' became the best selling. While indisputably a hit, it represents an anomaly for chart purists. 'In the Mood' was released in the period immediately prior to the inception of retail sales charts in magazine. While it led the Record Buying Guide ( list) for 13 weeks and stayed on the Billboard charts for 30 weeks, it never made the top 15 on the sheet music charts, which were considered by many to be the true measure of popular success.

The popular program ranked it no higher than ninth place, for one week only (1940). The Glenn Miller 1939 recording on RCA Bluebird, B-10416-A, was inducted into the in 1983.

It is one of the most recognized and popular instrumentals of the 20th century. A sample of the recording is heard in ' #1 1967 single ', and in the ' worldwide 1989 hit, '. 'In the Mood' also appeared in the 1941 20th Century Fox film, the 1953 Universal International film, as well as in, ’s, 1941, Wild at Heart, Hope and Glory, Dorian Blues, The Philadelphia Experiment, The Marriage of Maria Braun, the 1998 remake of The Parent Trap, Shining Through, The Radioland Murders, 'Rookie of the Year', The Black Dahlia, and Narnia: The Voyage of the Dawn Treader. It has also appeared on television in The Simpsons, The Golden Girls, Dancing with the Stars, 90210, 'Scrubs, and Doctor Who. Wartime release. 1944 release as a U.S. Army V- Disc, No.

In February 1944, the Glenn Miller RCA Bluebird 1939 studio recording of 'In the Mood' was released as a, one of a series of recordings sent free by the U.S. War Department to overseas military personnel during World War II. Its designation was V-Disc 123B.

Glenn Miller In The Mood Sheet Music Free Download

The recording was also released as a Navy V-Disc as 132A. A second version, recorded by Glenn Miller's Overseas Band in 1945, was released as V-Disc 842B in May 1948. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces (AEF) was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour. This piece of music was not new in Europe.

The first Swiss record of 'In the Mood' were released in April 1940 by und seine Original Teddies in Zurich. Another interpretation was made by in February 1941 in Berlin. Stauffer and van't Hoff were very well-known Big Band Leader at that time in Europe. Renditions. 1939 sheet music cover, 'Introduced by Glenn Miller', Shapiro, Bernstein, and Co., New York. Notable artists who have recorded big-band versions of 'In The Mood' include in 1964, and his Orchestra, on, in November, 1939 on the Camel Caravan radio program, The, Lubo D'Orio, with the, Paul Kuhn, Al Donahue with on vocals, with, The Six Swingers, and.

Non-big band renditions were recorded by in 1952 and released on the album Sing, Sing, Sing and a 78 single, and. The song charted at number 16 in 1953 in a version. In December 1959, the rendition of In The Mood that and his Orchestra recorded had peaked at number 4 by means of the Billboard popular hit parade and number 7 by means of both the Rhythm and Blues and the Cash Box hit parades. Scored a UK Top 50 hit with his version of the song in 1976, under the alter ago name of SOUND 9418. In the 1950s, former musician, producer, wrote a humorous Portuguese lyric to this song, re-titling it as 'Edmundo'.

This version was recorded by artists like and Brazilian / group. In 1951 a computer at the played 'In the Mood', one of the first songs to be played by a computer, and the oldest known recording of digitally generated music. Recorded a version of the song as part of a medley entitled ' which went no. 1 in the UK for 5 weeks. The record reached #11 on the Billboard Hot 100 in the United States where it also went gold.

It was the 2nd best-selling single of 1989 in the UK. An arrangement of the song has been performed since 1991 by the in as part of a formation known as the '. Bluesman has said that 'In the Mood' was the inspiration for 'I'm In the Mood' which became a #1 hit on the chart. See also. References.